Basilica of the Holy Blood

The Basilica of the Holy Blood (Dutch: Heilig-Bloedbasiliek) is a Roman Catholic basilica in Bruges, Belgium. The church houses a relic of the Holy Blood that was, according to tradition, collected by Joseph of Arimathea and brought from the Holy Land by Thierry of Alsace, Count of Flanders. Built between 1134 and 1157 as the chapel of the Count of Flanders, it was promoted to a minor basilica in 1923. The basilica in Burg square consists of a lower and upper chapel. The lower chapel, dedicated to St. Basil the Great, is a dark Romanesque structure that remains virtually unchanged. The venerated Passion relic is in the upper chapel, which was rebuilt in the Gothic style in the 16th century and renovated in the 19th century in Gothic Revival style.

In 1134, Thierry of Alsace decided to build a private double chapel next to the Oud Steen, the first residence of the Counts of Flanders, transformed today into the town hall of Bruges. Thierry went on crusade a second time in 1147 during the Second Crusade. According to the tradition, Thierry of Alsace returned to his capital Bruges on April 7, 1150, with the relic of the Precious Blood. During the first half of the 13th century, the name of the upper chapel was changed to the Chapel of the Holy Blood.

The Chapel of St. Basil is one of the best preserved churches in Romanesque style of West Flanders. Built from 1134 to 1149, the chapel is dedicated to St. Basil the Great of whom a relic was brought back by Count Robert II from Caesarea Mazaca in Cappadocia, Asia Minor (modern-day Turkey). The chapel consists of two side naves and a central nave continued by the choir, which in turn is ended by a semi-circular apse. In the tympanum above the entrance linking the chapel and the annex is a 12th-century representation of the baptism of Saint Basil. In the right nave, the seated Madonna and Child (Sedes Sapientiae) is a wooden polychrome sculpture of the early 14th century. Carried each year during the procession, two venerated wooden statues, made around 1900 and representing Jesus on the Cold Stone and the Pieta are displayed.

At the left of the choir, the chapel of Saint Yves was added in 1504 and houses the relics of Saint Basil and of Blessed Charles the Good, Count of Flanders. The black marble retable is allegedly executed from designs by Lancelot Blondeel.

Originally built in Romanesque style like the St. Basil Chapel, the upper chapel was transformed in Gothic Style at the end of the 15th century and again in 1823. Only the curved arches giving access to the side chapel of the Holy Cross remain from the original Romanesque chapel. The monumental staircase, commonly named De Steegheere, which leads to the upper chapel, was built in from 1529 to 1533 in late Gothic and Renaissance style according to the drawings of Flemish painter and architect William Aerts, ornamented on the outside with sculpted statues. The aftermath of the French Revolution left the staircase badly damaged and it was decided in 1832 to move it 4 metres (13 ft) backwards and to rebuild it after removing the remaining ruins of the Oud Steen. The gilded bronze statues represent Archduchess Isabelle of Burgundy, Mary of Burgundy, Thierry of Alsace and Philip of Alsace and, in the medallions, the Archdukes of Austria Albert VII and Maximilian III, Margaret of York and Sibylla of Anjou, wife of Thierry and daughter of King Fulk of Jerusalem. During the 19th century, successive renovation campaigns gave to the chapel its final Gothic Revival aspect, with its characteristic mural decorations. The stained-glass windows in the choir date from 1845 and represent the sovereigns who reigned over the County of Flanders from Philip the Bold, duke of Burgundy, till Archduchess Maria Theresa of Austria, Holy Roman empress. Th

Church data from Wikidata (CC0). Summary from Wikipedia (CC BY-SA).